As Kimberly Appelcline reminds us, we have all probably heard plenty of bad storytelling. I can think of one acquaintance in particular who begins to tell a story, but will start to give background information and then go off on a tangent causing a simple story that could be told in about 30 seconds to go on for about three minutes. It’s a good reminder that everything in a story should have a purpose for being there, even if the reader doesn’t discover the purpose until much later in the story. It also emphasizes the need for editing. What might seem important at the time may later become useless with a change in plot or focus.
On the other hand, it’s important for the reader to be able to visualize where the story is taking place. A detail here and there, especially those that appeal to the five senses, can help to place the reader into the story. If my character passes a bakery, maybe he or she catches a hint of cinnamon and yeast wafting through the window. Mmm, I’m getting hungry. Setting makes readers more involved in the story and they become more vested in the conclusion of the story.
Appelcline also points out that a story needs to have build-up to keep readers’ attention. When there is some sort of tension in the story, readers want to know what is going to happen. They need to get that pay-off at the end of the story for continuing to read the story.
These can be more difficult with nonfiction writing, but definitely not impossible. Sometimes it just takes paying more attention to the way people act and describing the setting they are in – rather than using their words only – to create a scene in readers’ minds and help develop the character of the person being interviewed. There are plenty of tensions in real life and it’s easy to find out a person’s backstory just by asking. (People love to talk about themselves!)